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We are the artists. We are the ones responsible for changing the world.
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Considering that art has a very important influence in every stereotype, morals and ideals that we build our society around, we need to make art that reflects what we want to see in the world.
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If we adapt to the money-making industry, we will never change reality.
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If we don't dream for everyone, who will?
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As actors, we need to play human beings. Not races, sexes or age groups.
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Every man has a little bit of woman, every black has a little bit of white.
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Create a model society. Ask "How do we get along? How can we do this better?" in the play and in the rehearsal process.
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Because of mirror neurons, the audience accesses the same synaptic passageway in the same muscles as the actors when they are watching a play. That means that muscle memory will save the movements that the audience members restrained themselves from doing, but there is a real and scientific possibility that what is seen on stage will have impact (even to a muscular level) in the audience.
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Teaching of the arts and training is essential to and the lack of encouragement to the arts is what is killing people's humane nature.
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We must start change somewhere, even if it's minor. The places to start this change are: schools, colleges, groups and clubs.
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Because we don't know what will happen in the future, always do the best theater you can do today. - Gisela Cardenas
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If it gives you goose bumps, do it.
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We must eat the world. Whatever you hear, you own.
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Risk your life for your art.
MANIFESTO
The Responsibility of the Artist in the World
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Films are audio and image. Theater is the human body.
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In theater you can make your audience believe in whatever you want, even if it's not there. In cinema they need to see it.
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"If it [the stage] cannot be richer than the cinema, then let it be poor." - Jerzy Grotowski
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Theater must reach a non-specific audience and must discuss topics that are relevant to completely opposite social groups - Bertolt Brecht
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The ideal audience has people of all economic classes and every social sub-group.
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Theater must be accessible to all of these groups.
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Therefore, theater must create the necessity for an audience to watch (and hopefully pay for) a theatrical performance.
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You must guarantee the spectator that gets up from his couch and puts his smartphone aside that it is worth turning technology off to go to the theater.
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The worst deadly sin in theater is to be boring. - Caca Rosset
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Collaboration is essential to the theater.
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Long-term collaborations are more beneficial to the actors, story and audience, because there is a bond of trust and understanding among the artists.
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The audience sees two plays: the story and the response of the actors to each other.
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Any attempt to turn art into an object of cultural, intellectual or economic value destroys the purpose of it.
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Any play in which the concepts superimpose the plot is doomed to live in the "intellectual" world.
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Intellectual analyses of art are wonderful and fun, but if they are not paired side-by-side with emotional/passionate analyses, they are irrelevant.
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The language of theater is international. It doesn't matter what language the play is in, if the "human" is present, magic happens.
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THEATER MUST BE GENEROUS.
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Theater is a gift to humanity. The moment you stop giving, and start worrying about survival, you're in trouble.
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In a theater, there is always someone who is watching a play for the first time and someone who is going for the last time. - Eve Doe Bruce
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Good theater manages to communicate beyond intellect, words and senses. It's the theater that travels from the actor's unconsciousness to the spectator's unconsciousness.
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Theater is an ecological reserve for human contact.
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Theater is the present.
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Acting is tribal. Theater is tribal. Storytelling is the heart of our tribe. - Ben Kingsley
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Theater is a primitive and ancient ritual.
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Theater is a ritual that is recreated night after night.
26. Theater is, therefore, religious.
The Format of Theater and its Audience
The Plays
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The greatest theatrical works ever written are famous because they are still politically and socially relevant today and therefore must be preserved and revisited often.
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New plays must be constantly written and produced as well, because present days are different from the past and present stories are also worth being told.
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New works mustn't ignore dramaturgical history, but try to incorporate and accept it instead.
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The story of a great play can be easily explained to a child.
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Look for the jo-ha-kyu: beginning, break, rapid.
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Create a moment that stops the audience.
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If the play is site-specific: embrace "God's direction", the unforeseen outside influences.
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Casting your audience will create a different quality of space.
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A great play will divide the audience: some will love it, some will hate it. Every play that generates indifference or unanimity is boring or fascist art and it's not worth it.
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Fascist art makes everyone feel small and the same. Humanistic art makes everyone feel different.
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Theater tells the stories of humankind - be it fictional or realistic (the stories we tell are stories we make up anyway).
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Plays are the most authentic pieces of history we have.
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Actors are not in the "generating emotion business". Our job is to create situations that will generate emotions in the audience members.
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"It's not about you. It's about going to hell and back on the inside and creating an experience for the audience" - Leon Ingulsrud
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Theater is make-believe, it's a children's game and must be treated as such. - Theatre du Soleil
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Actors are the shepherd of dreams. - Eve Doe Bruce
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Theater is a gymnasium for the soul. - SITI Company
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Theater is game. Always look for the "theater", not the "actor".
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When you are performing, my darlings, be free. - Rachel Jett
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Always try to make your scene partner look good. That is the best way of making yourself look good.
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If you don't see what you are talking about, the audience won't see it either.
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You are not training your everyday self, but your fantastic self. Your animal force.
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Actors must always help each other, even if it's not their role. If someone gets it right, they show us the way. If someone makes a mistake, they show us the obstacle in the middle of the way.
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Risk. Fail. Risk again. Fail better.
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When we believe, things happen.
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Part of the actor's job is to observe people. The actor that is unaware of the world he/she lives in and the people that inhabit it is a dumb actor.
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It's all about sex and faith.
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There is no right or wrong.
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In Noh theater (build on top of graveyards), actors used to stomp to awaken the dead and give them a chance to say their last words.
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The actor lends his body to the soul of the character.
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The character's objective never comes from the brain, but from the heart.
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If you let the character be larger than yourself, it lives.
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The human body is the actor's main instrument; therefore it should be treated with care.
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Everything in the body influences the actor. What you ate for lunch, if you shaved your legs. We have fully functioning reproduction systems that don't stop working when we're acting.
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Breathing is essential. Body is breath, breath is voice.
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The actor must be excellent at writing on stage, because he/she will be read.
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Respect the theatrical space. The stage is sacred. The audience is sacred.
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Be 100% present and open to everything.
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Be rigorous; don't allow small mistakes or sloppiness.
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It matters how you behave in rehearsal.
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Practice commitment. - Anne Bogart
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The artist is different than the actor. The "artist" is the way you live your life. - Ellen Lauren